Highly frustrating

Downtime in a new office, so it's back to New York. Started where I left off on the bottom right bit of detail, but soon got very tired of it and was just messing it up, so I moved to a new section. In this office the computers are set up with minimum flexibility to avoid virus downloads and other illegal software and add-ons being installed and clogging up the machines. This means I can't install new tablet driver software, which means my Wacom is functioning like a mouse. A designer I know from a few years ago used to find it odd that I have my pen mapped to the screen, and couldn't work in it. ASfter attempting to fill in some time here painting NYC, I absolutely cannot understand how he works with it in mouse mode. I've hit Undo so many times I might as well be working backwards, because the point of reference keeps shifting, so it's not like painting IRL anymore.

Giving up now, although it was nice to be painting Times Square now that I've been there :)

Working it

So I don't get a lot of time to work on this, in between freelancing and all my other projects, but when I can I try to really devote some detail-time, rather than just rushing through it... I'm getting there, but I'm doing a lot of re-working.

It's also harder than I thought!

Discovered that I can't get away with random blobs of colour for all the people, especially not in the foreground... a) I wasn;t getting the right overall colour, and b) blobs don't look like people. So I created a colour palette of the main colours (I 'mixed' them myself!) and so limited my palette to the tones that would match the dusk sky in the final painting.

I also gathered up my resolve, banished my laziness and zoomed in to do some detail on the crowd in front.

While maintaining my casual, Impressionist excuse for impatience, of course ;-)